Kurt

 

Life in The Village, through the eyes of a student at the remote school.

This is an original work of pure fiction (just an expression of a fantasy)
by Robert A. Armstrong (a pseudonym)

The resemblance of the characters by action, name, location or description to any real person is purely coincidental.

If it is illegal, or offensive, for you to read stories involving interactions of a sexual nature between adults and youths, then what are you doing here?

 

 

 

 

 

From Chapter 56:

After sneaking into Karl's bed, and running my hand over his naked body, playing with his hairs and his balls and getting his dick stiff, I'm surprised that he doesn't want me to jack him off! "Just let's hug," he tells me.

He has something serious on his mind! I can tell.

Chapter 57 – Karl's Mini Melt-Down

My brother turns towards me, throws one arm over my body and one leg over my legs. Then he snuggles his face into my neck.

I roll onto my side facing him, slide one arm under his neck and put the other one over his waist and rest it on his firm backside, pulling our bodies close together. Our foreheads are touching and I can feel his hot, forced breath on my face.

"What's up, Karl?" I ask caringly, with genuine, increasing concern.

I'm expecting his usual, non-committal `Nothing!', but am shocked when he rasps in a whisper, "Everything!"

Against my body, I can tell that his penis has lost its erection, and I immediately know that he is not play-acting nor just seeking sympathy.

I understand that Dad might have been a bit hard on him today, but where did `Everything!' come from?

I'm tempted to ask `Like what?' or say, `Don't be stupid!' but I'm afraid of making whatever he is feeling, worse.

Instead, I ask, "Can we talk about it?"

He sobs, "I don't know."

I wait.

I hug him tightly, squeeze his `nice glutes' and kiss his cheek. His face is wet, and I feel my own eyes fill up.

"Is it Dad?" I ask him.

He nods and mumbles "Uh-huh." Then I feel him inhale deeply and, in one breath, he says, "And Helen, and William, and Joey, and you." He adds, "And me."

His final words cause my heart to shiver. I hold back a shocked `WHAT?' and determine that I should ease into how the others and I could possibly have upset him. And to find out what his `And me' means.

"Was Dad really hard on you this morning?" I ask.

"Yes," is his sharp reply, sounding like a little kid with a pout.

My first temptation is to ask Karl what he said or did to cause Dad's severe treatment of him, but accusing my brother of setting off Dad's harshness certainly won't help.

"How come?" I put to him.

"I think that he hates me," Karl says. His voice has an unusually bitter tone.

I know that what he has said is not true, and I'm sure that Karl really knows it too, but I shouldn't contradict him. In his current mood, he might hate me too, for `taking Dad's side'!

I definitely don't want him to think that I hate him.

"Did he hit you?" I ask.

"No."

"Did he yell at you?"

"Not really."

"Was it something he said?"

"He called me a `slacker' and said that I should try to be more helpful," Karl answers. "Like you!"

"That's pretty cruel," I say. "Why would he say that?"

"Because it's true," Karl tells me. "You're always offering to help people do things, and saying nice things to them, and being helpful. You always make me look bad."

"I like helping people," I tell him. "I don't want you to look bad. You're not bad! Would you like me to stop being nice, and to stop being helpful? I will, if you want me to."

"No, not really," he mutters. Then he adds, miserably, "I just wish that I was more like you. Then, everybody would like me too."

"People do like you!" I tell him.

"Yeah? Who, for instance?" he snaps back at me.

"Me," I say. "I like you. You're the other half of me. I wouldn't be me without you. I more than just like you; I love you, brother!"

"There you go again," Karl says. "Being nice. You mean that you love my dick and my balls!"

He's weakening!

"Yes, I do! And your hairs and your backside, and the way you wash me in the shower and jack me off. And your smile." I give his glutes a squeeze. I grin, even though he can't see it.

"Well, I like all that about you, too," he says, taking hold of Junior and my balls.

I let him play, and Junior's renewing stiffness expresses that it likes Karl's hand too.

Then, to switch the subject a little, I say, "And William likes you."

"Yeah. But he'll be going away at the end of the year, when he finishes school," Karl says. "Then, who will I have?"

"Me," I answer.

I hadn't actually thought about William leaving school soon, and what he would do. I wonder how much this realisation has affected Karl.

"Yes, but who else would I have to muck around with?" Karl says. "It's all right for you. You could play with Mr Grant, and you also have Andy."

"Well, you can be friends with Joey," I answer. "Maybe he would like to come and visit you, just like Andy wants to be with me."

"Joey has a girlfriend," Karl says. "He told me."

"Well, you might find lots of new friends when the Home Stay people come," I say, trying to inject some encouraging possibilities into Karl's mind.

"As if!" he answers. "What would I say to somebody? `Pleased to meet you, mate. Do you want to come with me and see the possums tonight and we can wank each other off in the dark?' I could end up with a black eye, and they would tell Dad what I said, and then I'd be in deeper shit."

"You never know who might come to stay!" I answer. "If there was somebody that you took a liking to, you could always offer to take him horse riding or go out with the quad bikes, and show him the swimming hole, and `dare' the both of you to swim naked, and see how he responds."

Karl is silent, obviously thinking. The possibility of him making new friends, and not necessarily the `girlfriends' which Dad had suggested, may not actually have occurred to him.

"You reckon?" he mutters.

The changed tone in his voice is cheering me up. But I still want to know about two things that he mentioned.

Even though there is the possibility of causing him to become negative again, I want to hear what the other things are that are bugging him.

"Karl, why did you include Helen when you told me that people didn't like you?" I put to him as gently as I can.

"She ignores me," he answers.

"Are you sure about that?" I ask. "I hadn't noticed her ignoring you. What do you mean?"

"OK, she talks to you and me together, and to you by yourself, but she never talks just to me. To her, it's almost like I don't exist. Or that I don't need to."

With a word in the `right ear', his perception that Helen doesn't ever talk to him might be quickly fixed.

"Karl," I ask him, very lovingly, and holding him tightly, "What do you mean, you `don't need to exist'? Are you thinking of hurting yourself? Please tell me that you're not!"

Just the thought of my brother doing something to harm himself, because he thinks that he is not loved, or not `needed', and to either punish himself or to get people's attention, causes me to start crying, silently at first, and then with deep sobs.

"What?" he asks. "No, I'm not thinking of hurting myself, but I may as well be invisible. If people don't talk to me, and do nothing but criticise everything that I do, what's the point of trying?"

"I thought that you were going to hurt yourself today, on the quad bike," I tell him. "And, the thought of you being hurt, whether deliberately or by accident, really upset me."

He is silent.

I can tell that his attitude is becoming more positive when he hugs me tightly.

He says, "Well, you still make me look bad, and Dad is picky about whatever I do, and Helen still ignores me."

"Do you want to change all of that?" I put to him.

"Yeah? How?" he comments. It sounds more like disbelief than a real question.

"Maybe I can help," I say.

"See!" he tells me. "This is you being helpful!"

I ignore his comment.

"Let's start with me," I tell him.

His silence means that he is listening.

"What would happen if YOU offered to be helpful, or said something nice to Dad or Helen?" I ask.

"They'd have a heart attack, or check our eyebrows to make sure that it wasn't you!" he answers.

"It would be fun though, wouldn't it, to see their reaction?" I tell him, tickling his ribs.

"Hell, Yeah!" he almost whispers.

I'm winning him over!

"What could you offer to do?" I put to him.

"Something easy," he replies. "But, what would that be?"

"Maybe to check the chicken coop for some eggs?" I suggest.

"I could offer to make them both a cup of coffee," he tells me, then adds, "Before you do!"

"Let's start with that then," I reply, and hug him.

I reach between his legs and his erection quickly returns.

"You're right. I do like your balls," I tell him. I hope that he can hear the smile in my voice.

"Yeah. And my dick!" he responds. "Come on! Let's get on with it! That's one more thing that you're good at!"

 

After an anxious and restless night's sleep back in my own bed, I hear the bathroom door close. It's early. I haven't heard the rooster yet, even though the dawn light is making things visible. Just.

I slip my PJ pants on, venture out and wait near the bathroom door, for whoever it is, Dad or Helen.

Dad emerges. I'm glad that it's him.

He is surprised to see me. "Do you need to go too?" he asks, holding the door open.

I shake my head. "Can we talk? In the loungeroom?"

"Is everything all right, son?" he asks.

I shake my head again and indicate for him to follow me.

I feel overdressed. We never used to worry about walking around naked at home, but it's different now that we have Helen around the place. I feel the need to cover my own growing body in case I run into her, but Dad has had no reason to put anything on, especially for the purpose of taking a pee.

I sit on the big lounge. Dad, instead of sitting beside me, sits on one of the other chairs, next to the big lounge, so that we can see each other's face. Our knees are touching.

His face is not all that I can see. My Dad has an attractive body, but I try not to focus on it, except to think that I hope to look like him when I grow up. If my dick is `Junior', then his is definitely `Senior'. I don't dwell on it because I don't want Junior to wake up!

I focus on Dad's face, avoiding his lower body, and concentrate on Karl's situation.

"Dad," I start. "Do you remember the last time that we had a discussion privately, like this?"

"Yes," he responds. "That was after I insulted your brother, and you were concerned for him. What is it this time?"

"Same person. Same problem," I say. "Only this time I think that it's much more serious."

"Why? What's up now?" he says. His tone sounds a little more impatient than caring.

"He's upset Dad," I reply. "Genuinely upset. And he's not faking it. I spent a lot of time with him last night."

"What's got under his skin?" Dad asks, a little more interested. "Me, I suppose?"

I look at him squarely in the eyes and say, "And me, and Helen, and lots of other stuff."

Dad sits forward, his forehead showing the beginning of a frown. A concerned frown; not an angry one.

"What are you saying?" he asks. "I understand why he's pissed off at me, but what has Karl got against you and Helen?"

I explain everything that Karl told me. Dad's expression changes to disbelief and worry.

"What do you reckon we should do?" Dad asks.

"Do you trust me?" I put to him.

"Of course!" he answers.

"Well, if you let me work on him from my side," I reply, "can you please just acknowledge whatever he does, or offers to do? However small?"

He is in the process of agreeing, when Helen emerges, and sits next to me. Thankfully, she is wearing a dressing gown!

"What's up?" she asks. "I heard voices and wondered why. It's still very early.

I again explain Karl's emotional attitude, including his perception that Helen never speaks to him and that he thinks that he may as well `not exist'.

"Oh, I'm so sorry," she apologises, to Dad as well as to me. "I had no idea that I was ignoring him. What can I do?"

"Just talk to him," I suggest. "And, if he offers to do anything for you, please let him do it and then thank him."

"Of course!" she says, and repeats, "It was never my intention to ignore him or not to speak to him. He must be devastated."

Sounding to myself more like an adult than a teenager, I say, "I think that we can all help him feel like a valued member of the family again. I'll do my bit if you both do yours."

Dad and Helen agree, and then I tell them that I still have a bit of sleep to catch up on. We hug, and I go back to my room.

I snuggle into my bed and close my eyes.

I hear the rooster crow.

Not more than a minute later, I hear, "Bloody rooster!" And I know that Karl is awake. Or at least, his bladder is.

I listen for the toilet to flush.

Instead of going back to his own bed, Karl joins me. PJs on.

He looks as though he's going to drop them, so I say, "Better not! I heard Helen's voice not long ago. I think that she might be up."

He slides in alongside me. He reaches for my hand and places it on the front of his pyjamas. "You can get ME up, if you like," he says.

"Don't you want to save it for William?" I ask, turning and smiling at him.

"I've got plenty for him. Don't worry," he answers, grinning back.

However, we settle into just holding each other and feeling our dicks get chunky, then firm.

"I've been thinking," Karl says, while running his fingers around Junior and playing with my balls and hairs, having found his way inside my pyjamas. "What if I cook breakfast? I do know how to do bacon and eggs! Remember?"

"Do you need any..." I begin.

"NO!" he jumps in. "Let me do it. Please?"

"OK. I tell him. "I'll stay in bed, so breakfast is all yours."

"Thanks." He replies, removes his hand and, surprisingly, kisses me. Then he leaves.

I listen intently.

I mentally check off every noise that I hear as part of the cooking-breakfast process. It's difficult not to go and help him.

I hear mugs clanking and know that he's making coffee. I can even tell the sound of the toaster popping.

"Breakfast!" I hear him call. "It's on the table." And he bangs a pot lid.

Pyjama top on, I wander out at just after Dad and Helen from the other side.

Karl, with his back to us, is putting two plates onto the table.

"Thank you very much, son," Dad chirps, probably thinking that it's my backside that he's seeing. His pyjamas are identical to what I was wearing earlier.

Then, looking across, he notices me. I point at my brother, and mouth `It's Karl'.

Helen speaks up. "Why, thank you Karl. This is very thoughtful of you."

"And I left your eggs half-soft," he says, turning to face her. "Just the way that I know you like them."

Helen moves toward him and grabs him in a big, cuddly hug. "You are a wonderful young man!" she half-sings. "Thank you very much."

Karl glances at me over her shoulder. He is beaming!

Dad puts his arm around my brother's shoulders and ruffles his hair. "Nice work, buddy. Thank you."

At the end of the meal, Karl starts to clear away.

"Oh, no you don't!" Helen says.

Karl looks shocked. He needn't be.

"The cook should not have to clean up afterwards," she smiles at him. "Your father was just about to volunteer to do that."

Karl thinks that is hilarious. He smirks at Dad, then grins at me.

Dad is less impressed, but manages, "That's fair." Then looking at Karl, he says, "Mate, if I don't do as good a job as you do, I'm in big trouble!"

"Well, I'd better go out and collect some more eggs," Karl announces. "You wanna help me, Kurt?" he asks.

As I follow Karl out of the door, I turn, grin and give both Dad and Helen a `thumbs up'.

I catch up with Karl, put my hands on his shoulders and leverage myself up into the air.

"How are you feeling?" I ask, as I land on the ground behind him.

"Pretty good," he replies. Then he turns around, hugs me and says, "Thanks!"

 

For the rest of the day, waiting for Mr Grant and William to arrive, Karl is just as positive. He offers to do little things, like setting the table, and is rewarded by both compliments and discussions with Helen. One of which, that I catch, is about his horse-riding ability and whether he is better than I am. I'll bet that Karl's aura, if I could see it, would be glowing!

Then, while Karl is sorting out some clothes to take to Jintabudjaree for the week, I corner Dad and ask, "Do you notice a difference in him?"

"Absolutely!" Dad replies. "I didn't think that such little things could produce such a positive response. Thank you."

"One thing that I thought of," I ask, "is, whether Karl can be given a specific responsibility around here? Not just a job, but something to be responsible for. Something that he likes."

Dad asks, "What do you mean?"

"I don't know," I tell him. "What about the horses? You know them better than I do. What about their shoes? You know, shoeing them, which you've already taught him to do, and whatever else needs to be done. It's something that Karl would like to do, and be good at. You could teach him other stuff, couldn't you? And compliment him for how well he's doing. Maybe even getting the horses in and saddling them for the Home Stay guests. Perhaps even teaching them how to ride, rub them down, muck out the stalls. Whatever!"

"You have a wise, old head in that young body of yours!" he tells me. He grabs me in a head lock and ruffles my hair.

If it was Ron, or Andy, or Mr Grant, I'd playfully grab his balls! LOL.

"Apart from me," Dad says, grinning, and turning me loose, "Who are the two people around here who know the most about horses?"

"I don't know," I tell him. "Maybe William. Who else?"

"Reg O'Brien," Dad answers. "He was a champion rider when he was younger, and I hear that everyone in the district goes to him if they have any horse questions."

"You mean Jake's father?" I ask.

"Yes. The same," Dad tells me. "You've given me a terrific idea to work on. I'll probably see Reg in The Village tomorrow when they move our old house. I'll talk to him about it. In the meantime, thank you for looking out for Karl."

"Hey!" I answer. "Isn't that what a twin brother is for?"

He attempts to headlock me again, but I escape!

 

It's Helen's idea that Karl and William go horse riding together. They are both delighted.

That leaves Helen, Dad, Mr Grant and me to chat. One of the topics of conversation is Karl's mini-meltdown.

Mr Grant tells my Dad, "It's common for some people to experience mood swings. High one day; low the next. Sometimes it's nothing more than what they have eaten. However, it might be more serious. I'll keep a close eye on him for you, Jan."

"Me too," I add. "I was scared yesterday that he might have wanted to deliberately hurt himself."

"Should you let William know about it?" Helen asks Mr Grant.

"I'll probably only ask him to let me know if he sees that Karl, or Kurt for that matter, is upset about anything," Mr Grant answers. "Maybe I'll say that they might be missing their Dad, or something."

"You're a smart man, Tom," my Dad tells him. "I'm glad that my boys have you as their teacher."

I think to myself, `So am I!'

 

Karl and William come back `glowing'. I can guess why! Karl enjoys being jerked off, and he loves playing with William's big dick too.

 

When it's time to leave, I remind Helen, "Next week, Goldilocks and the seven dwarfs!"

"It was Snow White, actually," Mr Grant tells me. "Or the three bears, if you look at it the other way."

"Got it!" I tell him. "Three bears and the seven dwarfs!"

Everybody laughs, and Helen briefly explains about her twisted fairy tales.

"You should have heard her `Goldilocks in Sherwood Forest'! Karl says. "It was terrific."

I add, "And her `Goldilocks and the Pirates'. I loved that one."

Mr Grant says, "Maybe you would like to tell some stories to the little kids at school sometime. They would probably appreciate listening to someone else occasionally."

"Yeah," Karl says. "Instead of Jane."

William and Karl high-five.

 

Monday morning. We are up early. Not just our dicks.

Today we are going to see our old house moved! I can hardly wait!

We get to school a little earlier than usual, and there are already lots of cars and trucks parked around the pub. Some belong to parents of the little kids. I see Jake and Jane and their dad.

Mr Grant asks us to bring out the chairs, like we did for the parents when we had the helicopter rides. Only, this time, they are for us.

In between singing, drawing, reciting tables and listening to a story about the early explorers, we see, and watch the huge truck with many axles and wheels back up, very slowly, under the house which has been raised by jacks, like what Dad uses to change a tyre, only much bigger.

Marty O'Brien and Mr Cook, Ash, are standing where the truck driver can see their signals for reversing.

The truck movement is slow, deliberate and accurate.

Ash, Marty and the truck driver all inspect its position. After a few small adjustments, other men come and the jacks are lowered, very gradually, step by step, and all at the same time.

There are lots of `oohs' and `aahs' from us as the truck sags under the weight of the house.

The driver inspects his `load' again, and then gives the `thumbs up' to Ash, who seems to be in charge. He starts the truck.

We see the house move. A little. Hardly noticeable, but definitely. It looks a lot smaller on the back of the truck.

There is a huge cheer, and applause from all of the people standing outside the pub. We kids all jump up and down and cheer as well!

The truck moves very slowly along a track that has been graded specially, directly from the house's old position to the piers at its new site. The truck will won't have to make any turns.

It takes more than an hour to crawl a distance that I could run in a couple of minutes.

When the truck, and house, are in position, everybody takes a break. Including us.

Little Eric dashes towards the boys' toilet with older brother, David, close behind him.

William, Jake, Karl and I stroll more leisurely in the same direction.

As we near the entrance, Eric and David emerge. Eric is holding the front of his shorts and looking distressed.

"What's up, little man?" William asks him, crouching to meet him face to face.

David explains, "He didn't quite make it in time. We didn't take a break at the usual time and he couldn't hold on."

William taps Eric's hands and says, "Show me."

Eric removes his hands to reveal a wet patch, not huge, but embarrassing nevertheless.

A pair of kookaburras laugh raucously from a nearby gum tree. Their timing is unfortunate and little Eric's brave but quivering chin gives way to a flood of tears.

"Wait here with David," William tells him. "I'll be back in a minute. Oh, and face the sun. That way the girls won't see you...crying."

William hurries back towards the school building. Eric and David walk towards the wire fence. Jake, Karl and I head into the toilet.

The three of us pull the tops of our shorts down and let fly. Jake's is like a fire hose! I look down. He has a big one and lots of hairs, like Marty, and William. Jake turns his head, looks at mine, then at my face, and winks. No words are spoken.

As we go out, William returns with something grey in his hand. He unfolds a pair of school shorts. "These look about the same size as yours," he tells Eric. "David, can you please help your brother to put these on and then give me the wet ones.

The two brothers go back into the toilet, then emerge together. William takes the wet shorts and hangs them over the top strand of wire. "They'll be dry by lunch time," he says to Eric, "and then you can swap back. Nobody should be able to tell that anything was wrong. Next time that you need to go, just ask Mr Grant, or me. OK?"

Little Eric captures William's legs in a hug. "Thank you, William," he says through a grateful smile.

William heads into the toilet. Jake goes back in with him. Just to talk?

Karl and I follow Eric and David towards the school building.

Karl sits on the verandah to wait for the other two. I head back out towards the front gate. Marty is talking to Mr Grant. I stand a little apart from them so that they don't think I am listening to what they are saying.

Ash, heading in our direction, stops to talk to me over the fence.

He extends his hand and I shake it. Then, tickling his palm, I ask, "Ash, what did it mean when you did this to me?

He looks stunned, and stares at me, sheepishly. His neck and cheeks look as though they are getting red.

I ask, "Were you asking me if I wanted to have sex with you?"

 

(to be continued)

 

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The parallel version to this story, `Schoolie', told through the eyes of Tom Grant, has concluded.
Find `Schoolie' at
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